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Representing Blackness: Marcus Garvey and the Politics of Museology in Post-Colonial Jamaica

机译:代表黑人:马库斯·加维(Marcus Garvey)与后殖民时期牙买加的博物馆学政治

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摘要

Historically Black people in the Western Hemisphere have lacked power to represent their stories to themselves, from their perspective in museums. In spite of the fact that African Universities, like 14th century Djenne University in Timbuktu, with thousands of volumes of books and manuscripts, existed before the rise of Western civilizations; Black children in the Western Hemisphere learn that Africans did not have a written history justifying the burden of Europeans to write Africa’s history. African history books from the perspective of enlightened Black scholarship have been written for centuries but are not widely known in Black communities and are not routinely a part of the curricula in western educational systems. The result is wide scale historical amnesia among Black people about their ancient histories. Through extensive desk research and exploration of issues of self-identity in the course of my work as Director of Liberty Hall, I am able to pose answers to the questions of where and how do we make a start at stimulating memory, and in representation of these memories in museums? \udThis study explores the historical bases upon which representation of Black histories have been made in the educational system and in museums in post-colonial Jamaica; and proposes that when representation draws on the work of enlightened scholarship it reveals a historical legacy of strength, innovation, and resilience that makes a powerful contribution to Black education and to that of others. More importantly, it affects and reinforces positive self-identity, one of the cornerstones of modern museology. The Marcus Mosiah Garvey Multimedia Museum is an exercise in memory, modern museology, and in involvement of the surrounding communities in charting the museums’ developmental course. Reinterpretation of Liberty Hall, a national monument, facilitates a comprehensive approach to representation of ‘our’ story, with the museum as its central educational tool.
机译:从历史上看,西半球的黑人缺乏从博物馆的角度向自己展示故事的能力。尽管非洲的大学,如廷巴克图的14世纪Djenne大学,拥有成千上万册的书籍和手稿,却在西方文明兴起之前就已存在。西半球的黑人孩子得知非洲人没有书面的历史证明欧洲人有负担非洲历史的负担。从开明的黑人奖学金的角度来看,非洲历史书籍已有数百年历史,但在黑人社区并不广为人知,并且通常也不是西方教育系统课程的一部分。结果是黑人之间关于其古代历史的大规模历史性失忆症。在我担任自由厅主任的过程中,通过广泛的案头研究和对自我认同问题的探索,我能够提出答案,说明我们在哪里以及如何开始激发记忆,以及如何代表自己。这些在博物馆的回忆? \ ud这项研究探索了在后殖民时期牙买加的教育体系和博物馆中黑人历史表征的历史基础;并提出,当代表性利用开明的学术研究成果时,它揭示了力量,创新和韧性的历史遗产,这为黑人教育和其他教育做出了有力的贡献。更重要的是,它影响并加强了积极的自我认同,这是现代博物馆学的基石之一。马库斯·莫西亚(Marcus Mosiah)Garvey多媒体博物馆是一项纪念性,现代博物馆学的活动,并由周围社区参与制定博物馆的发展路线。对国家历史遗迹自由厅的重新诠释,以博物馆为中心教育工具,以一种综合的方式展现了“我们的”故事。

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    McFarlane, Donna Elaine;

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  • 年度 2013
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